LITERARY ANALYSIS OF THE PLAY "PYGMALION" BY G.B. SHAW
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Abstract
The article is devoted to Christie’s own contributions to the genre as a peaceful, usually upper-class setting into which violence intrudes; satire of her own heroes, craft, and genre; a grand finale in which all characters involved gather for the dramatic revelation of truth; the careful access to all clues; increased emphasis on the “who” and the “why” with less interest in the “how”; heavy use of dialogue and lightning-quick description, which create a fast-paced, easy read; a consistent moral framework for the action; and the willingness to allow absolutely any character to be guilty, a precedent-setting break with the tradition.
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